THE VITAL LANGUAGE : BHOJPURI


The Bhojpuri people have a distinct and virile tradition and were famous in the past for their bravery. Bhojpuri is spoken in various forms and its grammatical structure differs in many respects from the other two languages in Bihar. It has peculiarities of declension and conjugation not found elsewhere. On the whole, its grammar is simpler than that of Maithili and Magahi.
The Bhojpuri language of Bihar is the third largest Indian language spoken outside India. The Bhojpuri language covers a large geographic area crossing state boundaries. Other than Bihar, the language is spoken in the North West part of Jharkhand (that was part of Bihar once), the Purvanchal or eastern part of Uttar Pradesh along with the adjoining area of southern plains of Nepal. Outside India, Bhojpuri is spoken in spoken in Guyana, Suriname, Fiji, Trinidad and Tobago and Mauritius. These are the places where the Bihari community migrated in vast numbers during the British rule to work in sugar plantations.

For the first time in the history of the Bhojpuri language it is being noticed. From the coming of popular singers such as Kalpana that has made Bhojpuri almost a household name. Hindi film makers are now considering adding Bhojpuri item songs to attract the vast Bhojpuri speaking community.
In addition, the Indira Gandhi National Open University (IGNOU) has decided to launch a foundation course in the Bhojpuri language. The course was inaugurated by Indian Parliament speaker Meira Kumar (also from Bihar). She added that "Bhojpuri is not only a language but a lifestyle and a culture. Sanskrit and Latin have most precise grammar and vocabulary. Bhojpuri too has a very precise grammar, rich vocabulary and literature". Although the course is aimed at Bihar and Uttar Pradesh, it is thought that the course might be useful to Bhojpuri speakers in places such as Mauritius. Soon the establishment will be starting Certificate and Diploma Courses in
Bhojpuri
Bhojpuri is spoken in the western districts of Bihar such as Champa-ran, Saran, Shahabad, Palamau and Ranchi. Although the Ranchi district is mainly populated by Adivasis, the common language of the people is Sadari or Sadani, which is a form of Bhojpuri. Bhojpuri-speakers are also found in north-western Muzaffarpur and the Pirpanti and Golgong police stations of theBhagalpur district. There are more than ten million Bhojpuri-speaking people in Bihar. It is spoken also in the Varanasi and Gorakhpur divisions of Uttar Pradesh. Bhojpuri areas have helped much in the growth of Hindi literature. Although Bhojpuri has no such old written literature as Maithili has, the love with which its speakers cherish it is just as great. Bhojpuri is so called after the language of Bhojpur, a pergana of the Shahabad district.
Except in a few isolated instances, the form of the verb depends only on the subject. Bhojpuri is written in Kaithi, a script ascribed to the Kayasthas, the scribes of India, but this script is nowadays being given up by educated people in favour of Devanagri. A mass of oral literature is extant in Bhojpuri in the form of folk-songs, folk-tales and legends and it abounds in proverbs and riddles. In the works of such saintly poets as Kabir, Dharamdas, Dharnidas, Daryadas, and Lakshmi Sakhi, the influence of Bhojpuri is immense.
In recent times, many collections of folk literature have been published by Grierson, Ram Naresh Tripathi, Krishnadeva Upadhyay, Durga Shankar, Prasad Singh and W. G. Archer, and Sankata Prasad. The famous poem 'Batohia' written by Raghubir Narayan and the play entitled 'Bidesia' by Bhikari Thakur have made history by their popularity. Bhikari Thakur is the people's poet in Bhojpuri and in his poems are reflected the joys and sorrows, the toils and tears of the simple rural folk of his area.

ASHOKA :THE GREAT

King Asoka, the third monarch of the Indian Mauryan dynasty, has come to be regarded as one of the most exemplary rulers in world history. The British historian H.G. Wells has written: "Amidst the tens of thousands of names of monarchs that crowd the columns of history ... the name of Asoka shines, and shines almost alone, a star." Although Buddhist literature preserved the legend of this ruler -- the story of a cruel and ruthless king who converted to Buddhism and thereafter established a reign of virtue -- definitive historical records of his reign were lacking. Then in the nineteenth century there came to light a large number of edicts, in India, Nepal, Pakistan and Afghanistan. These edicts, inscribed on rocks and pillars, proclaim Asoka's reforms and policies and promulgate his advice to his subjects. The present rendering of these edicts, based on earlier translations, offers us insights into a powerful and capable ruler's attempt to establish an empire on the foundation of righteousness, a reign which makes the moral and spiritual welfare of his subjects its primary concern. The Australian bhikkhu Ven. S. Dhammika, the compiler of the present work, is the spiritual director of the Buddha Dhamma Mandala Society in Singapore.

With the rediscovery and translation of Indian literature by European scholars in the 19th century, it was not just the religion and philosophy of Buddhism that came to light, but also its many legendary histories and biographies. Amongst this class of literature, one name that came to be noticed was that of Asoka, a good king who was supposed to have ruled India in the distant past. Stories about this king, similar in outline but differing greatly in details, were found in the Divyavadana, the Asokavadana, the Mahavamsa and several other works. They told of an exceptionally cruel and ruthless prince who had many of his brothers killed in order to seize the throne, who was dramatically converted to Buddhism and who ruled wisely and justly for the rest of his life. None of these stories were taken seriously -- after all many pre-modern cultures had legends about "too good to be true" kings who had ruled righteously in the past and who, people hoped, would rule again soon. Most of these legends had their origins more in popular longing to be rid of the despotic and uncaring kings than in any historical fact. And the numerous stories about Asoka were assumed to be the same.

But in 1837, James Prinsep succeeded in deciphering an ancient inscription on a large stone pillar in Delhi. Several other pillars and rocks with similar inscriptions had been known for some time and had attracted the curiosity of scholars. Prinsep's inscription proved to be a series of edicts issued by a king calling himself "Beloved-of-the-Gods, King Piyadasi." In the following decades, more and more edicts by this same king were discovered and with increasingly accurate decipherment of their language, a more complete picture of this man and his deeds began to emerge. Gradually, it dawned on scholars that the King Piyadasi of the edicts might be the King Asoka so often praised in Buddhist legends. However, it was not until 1915, when another edict actually mentioning the name Asoka was discovered, that the identification was confirmed. Having been forgotten for nearly 700 years, one of the greatest men in history became known to the world once again.

Asoka's edicts are mainly concerned with the reforms he instituted and the moral principles he recommended in his attempt to create a just and humane society. As such, they give us little information about his life, the details of which have to be culled from other sources. Although the exact dates of Asoka's life are a matter of dispute among scholars, he was born in about 304 B.C. and became the third king of the Mauryan dynasty after the death of his father, Bindusara. His given name was Asoka but he assumed the title Devanampiya Piyadasi which means "Beloved-of-the-Gods, He Who Looks On With Affection." There seems to have been a two-year war of succession during which at least one of Asoka's brothers was killed. In 262 B.C., eight years after his coronation, Asoka's armies attacked and conquered Kalinga, a country that roughly corresponds to the modern state of Orissa. The loss of life caused by battle, reprisals, deportations and the turmoil that always exists in the aftermath of war so horrified Asoka that it brought about a complete change in his personality. It seems that Asoka had been calling himself a Buddhist for at least two years prior to the Kalinga war, but his commitment to Buddhism was only lukewarm and perhaps had a political motive behind it. But after the war Asoka dedicated the rest of his life trying to apply Buddhist principles to the administration of his vast empire. He had a crucial part to play in helping Buddhism to spread both throughout India and abroad, and probably built the first major Buddhist monuments. Asoka died in 232 B.C. in the thirty-eighth year of his reign.

Asoka's edicts are to be found scattered in more than thirty places throughout India, Nepal, Pakistan and Afghanistan. Most of them are written in Brahmi script from which all Indian scripts and many of those used in Southeast Asia later developed. The language used in the edicts found in the eastern part of the sub-continent is a type of Magadhi, probably the official language of Asoka's court. The language used in the edicts found in the western part of India is closer to Sanskrit although one bilingual edict in Afghanistan is written in Aramaic and Greek. Asoka's edicts, which comprise the earliest decipherable corpus of written documents from India, have survived throughout the centuries because they are written on rocks and stone pillars. These pillars in particular are testimony to the technological and artistic genius of ancient Indian civilization. Originally, there must have been many of them, although only ten with inscriptions still survive. Averaging between forty and fifty feet in height, and weighing up to fifty tons each, all the pillars were quarried at Chunar, just south of Varanasi and dragged, sometimes hundreds of miles, to where they were erected. Each pillar was originally capped by a capital, sometimes a roaring lion, a noble bull or a spirited horse, and the few capitals that survive are widely recognized as masterpieces of Indian art. Both the pillars and the capitals exhibit a remarkable mirror-like polish that has survived despite centuries of exposure to the elements. The location of the rock edicts is governed by the availability of suitable rocks, but the edicts on pillars are all to be found in very specific places. Some, like the Lumbini pillar, mark the Buddha's birthplace, while its inscriptions commemorate Asoka's pilgrimage to that place. Others are to be found in or near important population centres so that their edicts could be read by as many people as possible.

There is little doubt that Asoka's edicts were written in his own words rather than in the stylistic language in which royal edicts or proclamations in the ancient world were usually written in. Their distinctly personal tone gives us a unique glimpse into the personality of this complex and remarkable man. Asoka's style tends to be somewhat repetitious and plodding as if explaining something to one who has difficulty in understanding. Asoka frequently refers to the good works he has done, although not in a boastful way, but more, it seems, to convince the reader of his sincerity. In fact, an anxiousness to be thought of as a sincere person and a good administrator is present in nearly every edict. Asoka tells his subjects that he looked upon them as his children, that their welfare is his main concern; he apologizes for the Kalinga war and reassures the people beyond the borders of his empire that he has no expansionist intentions towards them. Mixed with this sincerity, there is a definite puritanical streak in Asoka's character suggested by his disapproval of festivals and of religious rituals many of which while being of little value were nonetheless harmless.

It is also very clear that Buddhism was the most influential force in Asoka's life and that he hoped his subjects likewise would adopt his religion. He went on pilgrimages to Lumbini and Bodh Gaya, sent teaching monks to various regions in India and beyond its borders, and he was familiar enough with the sacred texts to recommend some of them to the monastic community. It is also very clear that Asoka saw the reforms he instituted as being a part of his duties as a Buddhist. But, while he was an enthusiastic Buddhist, he was not partisan towards his own religion or intolerant of other religions. He seems to have genuinely hoped to be able to encourage everyone to practice his or her own religion with the same conviction that he practiced his.

Scholars have suggested that because the edicts say nothing about the philosophical aspects of Buddhism, Asoka had a simplistic and naive understanding of the Dhamma. This view does not take into account the fact that the purpose of the edicts was not to expound the truths of Buddhism, but to inform the people of Asoka's reforms and to encourage them to be more generous, kind and moral. This being the case, there was no reason for Asoka to discuss Buddhist philosophy. Asoka emerges from his edicts as an able administrator, an intelligent human being and as a devoted Buddhist, and we could expect him to take as keen an interest in Buddhist philosophy as he did in Buddhist practice.

The contents of Asoka's edicts make it clear that all the legends about his wise and humane rule are more than justified and qualify him to be ranked as one of the greatest rulers. In his edicts, he spoke of what might be called state morality, and private or individual morality. The first was what he based his administration upon and what he hoped would lead to a more just, more spiritually inclined society, while the second was what he recommended and encouraged individuals to practice. Both these types of morality were imbued with the Buddhist values of compassion, moderation, tolerance and respect for all life. The Asokan state gave up the predatory foreign policy that had characterized the Mauryan empire up till then and replaced it with a policy of peaceful co-existence. The judicial system was reformed in order to make it more fair, less harsh and less open to abuse, while those sentenced to death were given a stay of execution to prepare appeals and regular amnesties were given to prisoners. State resources were used for useful public works like the importation and cultivation of medical herbs, the building of rest houses, the digging of wells at regular intervals along main roads and the planting of fruit and shade trees. To ensue that these reforms and projects were carried out, Asoka made himself more accessible to his subjects by going on frequent inspection tours and he expected his district officers to follow his example. To the same end, he gave orders that important state business or petitions were never to be kept from him no matter what he was doing at the time. The state had a responsibility not just to protect and promote the welfare of its people but also its wildlife. Hunting certain species of wild animals was banned, forest and wildlife reserves were established and cruelty to domestic and wild animals was prohibited. The protection of all religions, their promotion and the fostering of harmony between them, was also seen as one of the duties of the state. It even seems that something like a Department of Religious Affairs was established with officers called Dhamma Mahamatras whose job it was to look after the affairs of various religious bodies and to encourage the practice of religion.

The individual morality that Asoka hoped to foster included respect (//susrusa//) towards parents, elders, teachers, friends, servants, ascetics and brahmins -- behavior that accords with the advice given to Sigala by the Buddha (Digha Nikaya, Discourse No. 31). He encouraged generosity (//dana//) to the poor (//kapana valaka//), to ascetics and brahmins, and to friends and relatives. Not surprisingly, Asoka encouraged harmlessness towards all life (//avihisa bhutanam//). In conformity with the Buddha's advice in the Anguttara Nikaya, II:282, he also considered moderation in spending and moderation in saving to be good (//apa vyayata apa bhadata//). Treating people properly (//samya pratipati//), he suggested, was much more important than performing ceremonies that were supposed to bring good luck. Because it helped promote tolerance and mutual respect, Asoka desired that people should be well-learned (//bahu sruta//) in the good doctrines (//kalanagama//) of other people's religions. The qualities of heart that are recommended by Asoka in the edicts indicate his deep spirituality. They include kindness (//daya//), self-examination (//palikhaya//), truthfulness (//sace//), gratitude (//katamnata//), purity of heart (//bhava sudhi//), enthusiasm (//usahena//), strong loyalty (//dadha bhatita//), self-control (//sayame//) and love of the Dhamma (//Dhamma kamata//).

We have no way of knowing how effective Asoka's reforms were or how long they lasted but we do know that monarchs throughout the ancient Buddhist world were encouraged to look to his style of government as an ideal to be followed. King Asoka has to be credited with the first attempt to develop a Buddhist polity. Today, with widespread disillusionment in prevailing ideologies and the search for a political philosophy that goes beyond greed (capitalism), hatred (communism) and delusion (dictatorships led by "infallible" leaders), Asoka's edicts may make a meaningful contribution to the development of a more spiritually based political system.

LOST IN TIME : BIHAR (ANGA)


Anga was a kingdom that flourished on the eastern Indian subcontinent in the 6th century BCE until taken over by Magadha in the same century. Counted among the "sixteen great nations" (solas Mahajanapadas) in Buddhist texts like the Anguttara Nikaya, Anga also finds mention in the Jain Vyakhyaprajnapti’s list of ancient janapadas. Anga  was spread over a large area and consisted of the following districts of Bihar, Jharkhand, and West Bengal states of modern India. Angika is the language spoken in Anga Desh. Angika is a dialectal variant of Maithili language .
The body of Manmadha(Cupid) was burnt as he made Lord Shiva angry. Since his body parts (Angas)were burnt on that area. So that area was called as Anga Desh
Based on Mahabharata evidence, the kingdom of the Angas roughly corresponded to the districts of Bhagalpur, Banka, Purnia, Munger, Katihar and Jamui in Bihar and districts of Deoghar, Godda, and Sahebganj in Jharkhand; later extended to include parts of Bengal. The River Champa (modern Chandan) formed the boundaries between the Magadha in the west and Anga in the east. Anga was bounded by river Koshi on the north. According to the Mahabharata, Duryodhana had named Karna the King of Anga.
Sabhaparava of Mahabharata  mentions Anga and Vanga as forming one country. The Katha-Sarit-Sagara also attests that Vitankapur, a city of Anga was situated on the shores of the sea. Thus the boundaries of Anga may have extended to the sea in the east.
The capital of Anga was Champa (Campā). According to Mahabharata and Harivamsa, Champa was formerly known as Malini . Champa was located on the right bank of river Ganges near its junction with river Champa. It was a very flourishing city and is referred to as one of six principal cities of ancient India (Digha Nikaya). In the Jataka stories, the city of Champa is also referred to as Kala-Champa. Maha-Janaka Jataka states that the city was located about sixty-yojanas (one yojana = 16.4 km) from Mithila (Here Mithila reflects the Mithilapuri i.e. the Capital of Videha kingdome which was later known as Janakpur & the term Videha as a kingdome was replaced by Mithila). Bhagalpur in Bihar, usually identified as the site of Champa, still has two villages called Champa-nagara and Champa-pura.
Champa was noted for its wealth and commerce. It was also a great center of trade and commerce and its merchants regularly sailed to distant Suvarnabhumi for trading purposes. During his pilgrimage there in the end of the 4th century, the Chinese monk Faxan noted the numerous Buddhist temples that still existed in the city, transliterated Chanpo in Chinese (瞻波 pinyin: Zhānbō; Wade–Giles: Chanpo). The kingdom of Anga by then had long ceased to exist; it had been known as Yāng​jiā (鴦伽) in Chinese.
The later kingdom of Champa (in present-day Vietnam) was thought to have originated from this east Indian Champa, although anthropological evidence indicates they are from Borneo on the other side Indochinese Peninsula.
Other important cities of Anga are said to be Assapura and Bhadrika.
Ramayana  narrates the origin of name Anga as the place where Kamadeva was burnt to death by Siva and where his body parts(angas) are scattered.
The earliest mention occurs in the Atharava Veda where they find mention along with the Magadhas, Gandharis and the Mujavatas, all apparently as a despised people.
Puranic texts place the janapadas of the Angas, Kalingas, Vangas, Pundras (or Pundra Kingdom - now some part of Eastern Bihar, West Bengal and Bangladesh), Vidarbhas, and Vindhya-vasis in the Purva-Dakshina division.
The Puranas also list several early kings of Anga. The Mahagovinda Suttanta refers to king Dhatarattha of Anga. Jain texts refer to Dhadhivahana, as a ruler of the Angas. Puranas and Harivamsa represent him as the son and immediate successor of Anga, the eponymous founder of the kingdom. Jain traditions place him at the beginning of sixth century BCE.
Between the Vatsas and the realm of Anga, lived the Magadhas, who initially were comparatively a weak people. A great struggle went on between the Angas and its eastern neighbors. The Vidhura Pandita Jataka describes Rajagriha (the Magadhan Capital) as the city of Anga and Mahabharata also refers to a sacrifice performed by the king of Anga at Mount Vishnupada (at Gaya). This indicates that Anga had initially succeeded in annexing the Magadhas, and thus its borders extended to the kingdom of Matsya country.
This success of Angas did not last long. About the middle of 6th century BC, Bimbisara, the crown prince of Magadha had killed Brahmadatta, the last independent king of Anga and seized Champa. Bimbisara made it as his head-quarters and ruled over it as his father's Viceroy. Thenceforth, Anga became an integral part of growing Magadha empire (1996).

BIHAR : STEPUP FOR BETTER TOMORROW

Pratham-books

India's biggest challenge is "how do we help chidren in this process at an early stage?". The article is about how Bihar is tackling this challenge.

In our country, children are expected to learn to read and comprehend simple text by the end of their first year in school. Textbooks in early school grades require children to read fluently by the end of class two. However, available evidence indicates that a large proportion of school children are still struggling to recognise letters and decode words after 2 or 3 years of formal schooling. This makes helping children learn to read one of the biggest challenges in India today.

The Bihar government came up with an initiative to bridge the gap between children and books and Pratham Books was a part of it. It has been a tiring but exciting three months. And as the mela drew to a close, we were glad to have been able to reach children all across Bihar. The following Hindi article describes this initiative and the need for it. For those of you who cannot read the following Hindi document (written by Rukmini Banerji and Manisha Chaudhry), here is a short summary:

Reading and learning are important aspects of education. If a child is unable to read, any educational programme is of no use to him/her. The more a child reads, the more he wants to keep reading and to facilitate this need, there is a requirement of more books.

Books open up the world of a child as he/she begins to connect what they read or hear with concepts they have encountered earlier. Thus, books and reading them is not just important at the school level, but also for the future of a child as it lays the foundation for his/her success.

Children in over 70,000 government schools in Bihar are now enjoying reading hundreds of colourful, well-written, and well-produced storybooks – thanks to Pratham Books and its novel mission to see “A book in every child’s hand”.

Pratham Books, a children’s book publisher with a difference, is addressing this challenge in style. The organization is a not-for-profit trust that was set up in 2004 with the objective of publishing high quality, low cost books in Indian languages and giving Indian children the opportunity to read interesting books that they can identify with, in their own language.

Last year, the government of Bihar introduced Bodhi Vriksha Karyakram, a programme to improve reading levels in early grades of school. However, for reading skills to actually improve, children need many, many books that stimulate their imagination, expand their minds, and evoke enough interest to keep them reading. In an extremely foresighted move, the Bihar government utilised 2% of the funds provided by Sarva Shiksha Abhiyan to buy storybooks and other such resources for students of standards 1 and 2.

The Government invited publishers including Pratham Books to participate in ‘Pustak Melas’ held in 37 districts of Bihar from November 2008 to January 2009. The schools were encouraged to attend these Melas and buy books for their students. In what could be the biggest investment in India’s history towards making books other than textbooks available to young children, this programme spent Rs. 30 crores, and reached no less than 6 million children! In just 7 weeks, truckloads of books, approximately 400 tons, were distributed across thousands of government primary schools in Bihar.

The Bihar government’s initiative is a simple, efficient model that can be replicated in other states. Efforts like these immensely improve reading levels among young students, and bring us closer to making India a reading country.

You can get more information on Pratham Books at http://www.prathambooks.org/.

GEMS OF BIHAR :NAGARJUN


The legendary poet of people “Baba Nagarjuna”. Born on 30th June 1911 as Vaidya Nath Mishra in the village Satlakha, his mother’s village,he was fondly called baba by his followers. Baba was known for his revolutionary ideas and unconventional lifestyle. His writings inspired generations and he was known for his candid and anti –establishment views.
Nagarjun is a legendary writer of the Hindi literature. He was affectionately called Nagarjun 'Janakavi'- the People's Poet by his contemporaries and admirers. His poems predominantly deal with politics, problems of ordinary people, of the peasantry and of the proletariat.He was born in a lower middle class Brahmin family  in a small village of Tarauni in Darbhanga district of Bihar. He was named Vaidyanath Mishra by his parents but was more popular as Nagarjun in his literary circle. He lost his mother at the tender age of three and his father didn't deliver his responsibilities towards his son seriously. As a result Nagarjun was dependant on his kind-hearted relatives. He was a scholar of the ancient Indian languages like Sanskrit, Prakrit and Pali. He first learned these languages at the rural centers and later in the urban centers of Varanasi and Calcutta. He married Aparajita Devi and had five children with her.
Alongwith his higher studies Nagarjun worked for his livelihood. For many years he studied and was semi-employed in Calcutta and later moved to Saharanpur (U.P.) to work as a full time teacher. His insatiable urge for knowledge especially in the Sanskrit treatises and philosophical discourses, and Buddhist scriptures took him to Sri Lanka where he accepted Buddhism in the monastery of Kelania
Nagarjun actively participated in politics. Nagarjun was influenced by the writings of Marx, Lenin and Stalin. He supported the armed revolt of the peasants of Naxalbari in West Bengal and was later passionately involved in the anti-government agitation in Bihar under the leadership of Jai Prakash Narayan in 1974. During this period he was jailed for eleven months.
Nagarjun's novels like Balchanma, Ratinath Ki Chachi, Baba Batesarnath and Varun Ke Bete are landmarks in Hindi fiction depicting the rural reality in an unparalleled manner. He wrote poems both in Maithili and Hindi. He published two Maithili poems, Boorh Var and Vilap in 1941 in the form of pamphlets and sold them on passenger trains. He wrote two poems in Hindi Shapath and Chana Jor Garam, which were circulated in 1948 and 1952 respectively. His first collection of twenty-eight poems in Maithili, entitled Chitra appeared in 1949. It is considered the first modern classic, which is used as a standard university textbook in the Maithili language.
By 1953, there was a change in the themes of his poems, Nagarjun now shifted from lyrical romanticism, and wrote on the rebellion of Telangana, Mother India and famine. In 1950, he wrote a piece of satire in just ten lines about "the five worthy sons of Mother India". He even wrote a short poem in eight lines on "The Famine and After", the poem deals with famine, hunger, anguish, and apathy. In 1948, his novel Ratinath Ki Chachi (Ratinath's Aunt) was published. This novel consisting of 113 pages is autobiographical and one of the most realistic and feminist Hindi novels. The novel is a harrowing tale of abject poverty and extreme exploitation. His next novel Varun ke Bete was published in 1956, is an unconventional work dealing with the story of the low-caste fishermen, who fights for the fishing rights and tries to form a fishermen's cooperative. He wrote thirteen novels, eleven in Hindi and two in Maithili. Most of his novels center around a social, economic or political theme, set in rural or semi-urban Bihar. His novels mostly narrate the story of the destitute and the exploited, chiefly amongst them are women and children.
Nagarjun unconsciously became the forerunner of the Annchalik Upanyas (the Regional Novel) in Hindi. Apne Khet mein is his last published collection of Hindi poems in 1997, which consists of personal poems like Na Sahi and Aur Phir Dhikai Nahin Di and parodies the artist M.F.Hussain and the political leader Laloo Yadav. Hua Gittiyon Men Ras ka Sanchar is another moving poem on the pathetic life of the rickshaw pullers of Calcutta.
He was awarded the Bharat Bharati Award by the Uttar Pradesh government for his literary contributions in 1983. For his collection of poems Patraheer Nagna Gaachhin in Maithili, he was given the Sahitya Akademi Award in 1968.
He passed away in November 1998 at the age of 87 in Darbhanga.
His Major literary works :
Poetry
  • Yugdharao
  • Satrange Pankhon Wali
  • Talab ki Machhliyan
  • Khichri Viplava Dekha Humne
  • Hazar Hazar Bahon Wali
  • Purani Juliyon Ka Coras
  • Tumne Kaha Tha
  • Akhir Aisa Kya Kah Diya Maine
  • Is Gubare Ki Chhaya Mein.
  • Yhe Danturit Muskan
  • Mein Military Ka Boodha Ghoda
  • Ratnagarbha
  • Aise bhi hum kya
  • Bhool jao purane sapne
  • Apne Khet Mein Chandana
Novels
  • Rati Nath Ki Chachi
  • Balachnama
  • Baba Bateshar Nath
  • Nai Paudh
  • Varun Ke Bete
  • Dukh Mochan
  • Ugratara
  • Jamania Ka Baba
  • Kumbhi Pak
  • Paro and Asman Mein Chanda Tare.
  • Abhinandan
  • Imaratia.
  • Essay collections
    • Ant Hinam Kriyanam.
    • Bum Bholenath
    • Ayodhya ka Raja
    Maithili works
    • Patrahin Nagna Gachh (collection of poems)
    • citra(collection of poems)
    • paro(novel)
    • navturiya(novel)
    • balchnma(novel)
    His work on culture has been published in the form of books entitled Desh Dashkam and Krishak Dashkam.